Showing posts with label Kabul. Show all posts
Showing posts with label Kabul. Show all posts

Wednesday, May 25, 2011

Back Stage With Freedom's Stand

My youngest child has at last cut the umbilical cord and is taking those first tottering steps in the big, wide world outside my hovering embrace. Not some unanticipated late-life flesh-and-blood offspring [my husband just breathed relief!], though the birthing has been far more prolonged and arduous than any of the four humans who list me as parent on their birth certificates.

No, it's just that my latest book, Freedom's Stand, rolled off the press this month. Its exquisite face looks up at me from the pages of CBD catalogs. It holds hands with illustrious neighbors in Tyndale's summer fiction ads. It makes its own way beyond my control into bookstores and libraries. As a parent, I hold my own breath, urging it on to a long and healthy life in that competitive, even cut-throat that is today's book publishing world.
Much has been said elsewhere both by myself and others about the message and story of Freedom's Stand [see Christianbook.com's Fiction Blog], my own heart for Afghanistan and its people, issues of religious freedom and the persecuted church. So I won't linger on the book's contents here. In brief, Freedom's Stand is the sequel to 2010 Christian Book Award and Christy Award finalist, Veiled Freedom, set in contemporary Afghanistan. Veiled Freedom brings together on Kabul's dusty streets a disillusioned Special Forces veteran, an idealistic relief worker, and an Afghan refugee, each in their own personal quest for truth and freedom. Returning in Freedom's Stand, these three unlikely allies soon discover that in a country where political and religious injustice runs rampant, the cost of either may be higher than they realize. Will any one of them be willing to pay the ultimate price?

But one question I've been asked repeatedly in interviews may have value to ICFW readers. "I know you weren't on the ground over there that long nor able to travel widely due to security concerns. How were you able to portray such a realistic depiction of Afghanistan and its people?" Here are a few of my own stratagems in writing Freedom's Stand which any good novelist can duplicate to bring alive a distant place and people.

Google Satellite Mapping: Where exactly does the Kabul Stadium, where the Taliban once stoned female offenders before soccer matches, lay from the Wazir Akbar Khan neighborhood, home to embassies, private contractors--and my main character's humanitarian project? What is the landscape around Afghanistan's notorious top security prison, Pul-e-Charkhi, or its interior layout? Can I triangulate a villain's luxury compound, a refugee's sanctuary, and a defensible escape route in the reality of the high, dusty plateau overlooking Kabul where Pul-e-Charkhi sits?

All of this and so much more is possible with today's technology--and those once-classified global satellite maps. Even in Kabul, Afghanistan, zoom will get you close enough to track your characters through every back alley, plot every location, mark every prison access entrance. [Looking for the US embassy? It alone is missing from close-ups. But if you know where to look, what's behind that sudden blur is clear.]. For continual reference, I kept mounted on my office wall a full-sized, fold-out driving map, available quite reasonably on Amazon from Nelles or International Travel Maps, for virtually any country.

Boots on the ground: Yes, I had boots on the ground for every aspect of my book--military, private security contractors, humanitarian aid, medical, pilot, State Department. These were the same who read the manuscript before press to ensure I had no errors. Finding boots on the ground is not as hard as it may seem, thanks to that 'six degrees of separation' principle we hear about. If you don't know experts in the fields you want to write about, you likely know someone who does, or their friends know someone. It is often just a matter of putting the word out. And since human beings do like to share their expertise, you'd be surprised how available most prove to be for input, if only to make sure you get their world right on page!
Blogs: But there is another type of 'boots on the ground' far more accessible and often fruitful. In this day and age, one can find people anywhere on the planet with time on their hands and a willingness to spill their daily lives, post pictures of their environment, vent their opinions and feelings in blog form. During the writing of Veiled Freedom and Freedom's Stand, I followed numerous blogs representing the worlds of all my main characters. Military and private security. Humanitarian and state department. Afghan medical students and journalists.

An embassy security bash with those demining robots for which your tax dollars paid purloined and reprogrammed to serve drinks--all in living jpeg! A UN secretary's chronicle of daily life and romantic liaison with her Afghan driver--including a non-subtle advertisement of his upcoming availability when her contract is up.

An Afghan journalist's frustrations and hopes for his nation--until he suddenly disappears from internet existence like so many other journalists under the Karzai regime. The frustration of being a female aid worker in a Muslim country. The pride of mission in a Special Forces medic saving an Afghan villager's life. The confusion and anger and curiosity about Western life of a Pakistani medical student. Living on the ground with your character counterparts can add details of daily life, personality, emotion, motivation that I can personally testify the best interview will not produce.

Research: And of course there is no substitute for just plain research. Before starting to write, before even traveling to Afghanistan, I literally saturated myself in the country. Histories, biographies, country studies, political commentary, regional literature, travelogues, I had easily read 30,000 pages material before I ever picked up a pen or computer keyboard. I kept a Google Alert to follow daily news happenings there. I explored Afghanistan's streets, food, art, culture, restaurants, hotels through such expatriate resources as Lonely Planet, Bradt, Essential Field Guides. I studied its setting through watching on-site films and documentaries. Here is just a small sampling of my bookshelf from this project alone:

Ghost Wars-The Secret History of the CIA, Afghanistan, and Bin Laden by Steve Coll, Charlie Wilson's War by George Crile, First In by Gary Schroen (the Pakistan CIA field agent who was first into Afghanistan after 9/11), Kabul Winter by Ann Jones, The Bookseller of Kabul by Asne Seierstad, Inside Afghanistan by John Weaver, Opium Season by Joel Hafvenstein, Prisoners of Hope by Dana Curry and Heather Mercer, The Sewing Circle of Herat by Christina Lamb, The Hunt for Bin Laden by Robin Moore, Three Cups of Tea by Greg Mortenson, Kite Runner and A Thousand Splendid Suns by Khaled Hosseini. Along with many, many others.
Empathy: In the end, there's no substitute for empathy with a country, culture, and people group to bring it alive on page. And that can't be taught. I have personally learned empathy in part by walking the streets of more than thirty countries on five continents, getting to know and love people from countless different backgrounds, listening to their viewpoints, identifying with their pain, burning with their injustices. And coming to see through their eyes as well the beauty in very different landscapes, cultural practices, social styles than my own.

But some of the best novelists I know have such a natural gift of empathy, they bring foreign places alive without ever leaving home [check out ICFW member Kathi Macias' international fiction titles like No Greater Love and People of the Book for a great example]. Bottom line, empathy with others learned in any circumstance and background can be applied to any setting with enough good research.

And for that, just follow the tips given above.

Friday, December 24, 2010

Freedom's Stand [Freedom's Series #2] Heading Your Way At Last

It was worth the wait!

In Veiled Freedom, three very different protagonists come together on the streets of Kabul in their own personal quest for truth and freedom. Returning now in Freedom's Stand, former jihadist Jamil Yusof, aid worker Amy Mallory and Special Forces veteran Steve Wilson are about to learn the cost of true freedom. What could motivate any of the three to pay the ultimate price?

Three full years ago now, I began researching and writing my latest WIP [work-in-progress], its setting of Afghanistan a departure from my prior novels set in the Latin American context in which I'd spent so much of my life. I began writing my Afghanistan novel with a particular storyline of love, sacrifice, freedom and Afghanistan clearly in mind.

Those who've read my earlier novels (CrossFire, The DMZ, FireStorm) know that I am more likely to produce a 600-page Tom Clancy length tome than the typical CBA-length title. My current (and wonderful) publisher Tyndale House has been assiduously coaching me to write more normal length books. But I knew halfway through my writing that Afghanistan and the story I had to tell simply would not fit into 150,000 words. The result was that half my original story became 2010 Christian Book Award and Christy Award finalist, Veiled Freedom.

But if the first half of my original storyline became a powerful message and a great story on its own, how much more so my intended climax of Steve, Amy and Jamil's life stories. I did not expect when I began writing the second half that so much time would pass before it reached the hands of eager Veiled Freedom readers. I can say honestly that Freedom's Stand has been the hardest book I've ever written, ripping out my heart and soul with its message of courage, faith, and sacrificial love. But I knew by the time I'd penned the last line (make that typed!) that it was also the best with a story and message even more powerful than Veiled Freedom.

What is that message? If Veiled Freedom answered the question of what is true freedom (true freedom cannot be bestowed on another people through arms or an aid package, but only through individual hearts transformed by coming face to face with Isa Masih, Jesus Christ), the question Freedom's Stand addresses follows inevitably. Once you've found that true freedom in Jesus Christ, how far will love carry you in sharing it with others. In the context of Afghanistan, that is a far from rhetorical question.

The wait is not quite over. Freedom's Stand hits bookstores May 2, 2011. But I trust the following excerpt will whet your appetite for the rest. READ EXCERPT.

Meanwhile I find myself currently (fictionally speaking) in a very interesting corner of Central Africa. So keep tuned for that book (no name yet)--and hopefully the wait this time will be a whole lot shorter!

FREEDOM'S STAND [Book Back Copy]:
Jamil renounced a life of jihad when he encountered the life-changing message of Jesus Christ, but villagers and authorities in the hills of Afghanistan respond with skepticism . . . and even violence.

Relief worker Amy Mallory is shocked by the changes in her organization—changes with dire implications for the women and children under her care. And concern for her former assistant, Jamil, weighs heavily on her heart.

Former Special Forces veteran Steve Wilson faces off against the riots and corruption of Kabul's upcoming election. He's looking for something that will give his life purpose, but is confident that he won't find it in Afghanistan.

All three are searching for love and freedom in a country where political and religious injustice runs rampant. But when religious freedom becomes a matter of life and death, they discover that the cost of following Jesus may require the ultimate sacrifice.

Monday, June 1, 2009

Veiled Freedom: An Interview

Veiled Freedom hits stores today. A literary baby that has taken almost two years of research, writing, rewriting, then months of waiting during the editorial and publishing process, is now birthed. I watch my child take its first wobbling steps in bookstores and on-line catalogs with delight and some trepidation. How will this offspring that tore out my heart and soul and brain in its conception fare out there in the vast daunting world of book sales and marketing?
[Featured publicist is grandson J.J. Windle touting Veiled Freedom at Colorado Christian Writer's Conference]

Fortunately, like any author by the time their latest release actually hits shelves, I am far gone enough in my next manuscript, in this case a sequel, Freedom's Furnace, to be distracted from hovering over my child's every move. Meanwhile, many are asking what motivated a political/suspense novelist with roots deep into Latin American politics and culture to write a novel set across the world against the stark, forbidding backdrop of modern-day Afghanistan?

So before I pull myself away from gloating through the nursery window at my newborn and get back to writing its upcoming sibling, may I invite you to pull up a comfortable chair, pour a cup of coffee (or your beverage vice of choice), and listen in on a recent interview:

Why did you write a book about Afghanistan?

Despite the ugliness of war, I rejoiced in the post-9/11 overthrow of Afghanistan's Taliban, believing it presaged new hope for freedom and peace in that region. Neither freedom nor peace ever materialized. Instead today's headlines reflect the rising violence, corruption, lawlessness and despair. The signing of Afghanistan's new constitution, establishing an Islamic republic under sharia law--and paid for with Western coalition dollars and the blood of our soldiers--tolled a death knell for any hope of real democracy. And yet the many players I've met in this drama have involved themselves for the most part with the best of intentions. The more I came to know the region and love its people, I was left asking, "Can outsiders ever truly purchase freedom for another culture or people?"

That question birthed Veiled Freedom. A suicide bombing brings together a disillusioned Special Forces veteran, an idealistic relief worker, and an Afghan refugee on Kabul's dusty streets. The ensuing explosion will not only test the hypocrisy of Western leadership and Afghanistan’s new democracy, but start all three on their own personal quest. What is the true source of freedom--and its cost?"

Your research for this book took you to Afghanistan…what was most shocking (or surprising) to you about Afghanistan?

The most shocking was how little has changed, despite eight years of American and NATO occupation and trillions of dollars poured into the country. People are still starving, streets thick with beggars, mud-brick hovels the norm, while less than six percent of the country has electricity. After the initial hopes for freedom the 2001 liberation had raised, most women are back in burqas, in fear of their own men-folk, not the Taliban. Hundreds of girls schools built by foreign aid are once again shut. Islamic sharia law trumps any pretence at freedom and human rights. People express far more concern over the corruption and brutality of the local police and government officials than Taliban. In Kabul, an estimated 1/3 of all salaries are siphoned off by the bribes authorities demand for every service--or just to be left alone.

In stark contrast are entire neighborhoods of turreted, gabled and towered mansions, many owned by government ministers, representing hundreds of millions in squandered aid money and opium. Add to that the high-priced malls, shops, restaurants catering to Afghanistan's new aristocracy and the expatriate community, where a cappuccino costs more than the average Afghani makes in a week. It is easy to understand why so many lash out in anger and violence. Ironically, even at the height of Taliban fighting, 90% of the country was open to aid work (I met many expatriate families, even with small children, who were there throughout the Taliban era). Today with all the foreign troop presence, that figure is reversed with 90% of Afghanistan closed off to aid work because of security concerns.

What shaped your story the most after being in Afghanistan?

I came away above all with a recognition that true freedom will only come to Afghanistan, or anywhere else in our world, through the love of Isa Masih [Jesus Christ] changing individual hearts. Change enough hearts, and you will see change in a nation. Without changed hearts, all the guns and aid are futile.

Are there parts of your book that are total non-fiction?

I can say honestly that little in Veiled Freedom is completely fiction other than the main characters, who in themselves are an amalgamation of so many I've come to know in Afghanistan, whether humanitarian, private security, embassy, military, who are true-life counterparts to my characters. The prison, Mansion Row, expat life, and other details are all as described. The women prisoner's stories are not only based on real cases, but nowhere near the worst I came across. In truth, so much evil and violence, and not just to women, was too graphic even to include in the book. But the love of Isa Masih [Jesus Christ] is also not fiction, and that is why Veiled Freedom is a story of hope, not despair.

What do you want your readers to take away from reading VF?

I would like readers to close this book with a better understanding of Afghanistan and the entire Muslim world and how vital and interconnected events there, especially such issues as freedom of worship, speech, human rights, are to our own country's future and security. Even more so, I want every reader to come face to face with the Person of Jesus Christ, the only true Hope of lasting change and freedom for our world.